McLaren
Production-Ready
Cleared for set, priced for the day rate.
Half-day and full-day blocks, flexible mileage, and a fleet that's already been in front of a lens more times than most agencies have booked talent.
Booking a car for set
Production insurance paperwork and a signed usage release are handled before call time, not negotiated on set.
Pick the car for the frame. The McLaren 720S and the Huracán EVO Spyder read low and cinematic, the red GT3 RS pops on camera, the Corvette C8 is a budget-friendly hero car for a music video, and the Urus works when the talent's crew needs to ride along.
Ocean Drive and Collins Avenue, the Rickenbacker Causeway with the skyline behind it, Wynwood's murals, Brickell's towers and the A1A beach strip in Fort Lauderdale are all frames worth scouting. Permit rules for public roads and parks vary by city and agency, so check them early.
Tell us the shoot date, call and wrap times, the location, whether the car will be driven on camera or parked as a set piece, and the crew size. The more we know, the faster we can confirm the paperwork.
Color matters on camera. A red GT3 RS reads very differently against Wynwood murals than against Miami Beach pastels, so tell us the palette of the shoot and we will suggest a car.
Recommended Fleet
Built for this occasion
Frequently Asked Questions
Do you offer half-day rentals for a shoot?
Yes. We offer half-day and full-day blocks, with flexible mileage.
Who handles insurance for a production?
Production insurance paperwork and a signed usage release are handled before call time, not negotiated on set.
What details do you need to quote a shoot?
The date, call and wrap times, location, the car you want, how it will be used on camera, and the crew size.
Can you deliver the car to the shoot location?
Send us the address and call time and we will confirm delivery. Delivery is free within our core service area.